Buy Windows Products 
Buy Mac Products I just received this email from iPAc (reprinted in full):
Few power plays are as blatant and harmful as the PERFORM Act (S. 2644)
from northern California’s own Dianne Feinstein. Simply put, PEFORM revokes
your right to tape radio shows while imposing draconian DRM on all internet
radio.
The Audio Home Recording Act (AHRA) explicitly allows a person to record
radio programs for their own personal use. In exchange, we all pay a
Hollywood Cartel tax on some blank CDs and tapes. It’s a bill that has
served us well for over a decade, but now with advanced satellite radio
receivers that allow paying subscribers to time shift their favorite
programs the Hollywood Cartels are asking for ‘backsies’ on the AHRA.
Always eager to please her real constituents in Hollywood, Dianne Feinstein
stepped up to the plate and introduced PERFORM.
But, if overturning the AHRA wasn’t enough, Feinstein slipped in a
provision that changes the Copyright Act to force Internet radio stations
to impose the most severe and draconian DRM possible. All of the Internet
radio stations that you know and love will be forced to abandon MP3
streams. Innovative companies like Pandora are already heavily burdened and
taxed by the DMCA, forcing them to spends additional money to license DRM
is an undue burden.
Who does Dianne Feinstein represent? Is it Northern California, the
economic engine for the entire state and the nation? Or is it Southern
California, the repressive monopolists that seek to limit expression and
technology?
You can find out how you can stop Senator Feinstein’s PERFORM Act at
http://ipaction.org/action/perform
Thanks very much for your continued support of IPac.
Sincerely,
Jake Fisher
Executive Director
IPac.org
PERFORM act will kill Internet Radio
Finetune vs. Pandora
Just got wind of an interesting new Music/Radio site: Finetune. Check it out!
You can build playlists, and then let others listen to them. Plus, it can build custom radio stations based upon a favorite artist and it’s playlist data.
The design is neat, and once you know it’s a radio site, it’s a great way to start listening with no hassles. And if you want to become a DJ, building your own 45 track (or more) playlist/station is easy.
And it works great with Replay Music too.
Check it out!
Unbelieveable
I just learned today YouTube posted it’s first video online in December 2005.
Is that amazing or what???
Look for some amazing YouTube recording tricks from us in the near future.
Fair Use Threatened
I received this email from Jake Fisher of iPac today, and I’m taking the liberty of reprinting it in full. It’s an important topic – the Big Media companies are threatening to take away our Fair Use recording rights.
Here’s the letter in full:
Dear IPac supporter,
In June we brought attention to S1RA (The Section 115 Reform Act), which
has the laudable goal of bringing mechanical licensing into the 21st
Century. However, buried deep within the legislation was a provision that
required all incidental copies of a song to have their own separate
license. In other words, a copyright holder could charge you for every
copy that exists in a caching server, your ISP’s own cache, or even the
buffer on your computer. It’s double dipping, redefining fair use, and now
it’s back and worse than ever. S1RA lives on under the title of the
Copyright Modernization Act of 2006. Sounds ominous enough. It still
includes all the terrible provisions of S1RA by taking aim at Internet
radio and satellite radio by gutting the Audio Home Recording Act, which
explicitly allows devices to time-shift radio.
CMA is trying to elbow itself into law by wrapping itself in a good bill:
the Orphan Works Act of 2006. This bill is an important piece of
legislation that removes significant hurdles that artists have to jump to
create their art. Right now, with our over-reaching copyright regime, if a
documentary film makers wants to include an image, film clip, or song in
their work, but no copyright holder can be found, the film maker is out of
luck. OWA allows the artist to include the work, assuming they employed due
diligence to track down the copyright holder, and would severely limit any
damages stemming from an infringement suit if the owner suddenly
reappeared.
However good the Orphan Works Act is, S1RA is worse and negates the
benefits that come from OWA. We cannot sacrifice our technological future
by imposing an innovation tax on internet and satellite radio.
For a FAQ on CMA and to find out how to stop it please see:
http://ipaction.org/campaigns/cma/
Thanks very much for your continued support of IPac.
Sincerely,
Jake Fisher
Executive Director
IPac
To the Zune, Alice!
This article from the EFF highlights a curious feature of the new Microsoft Zune – namely that it won’t play songs purchased using Microsoft’s own Plays For Sure system. And it apears they may be abandoning the technology altogether.
If you were unlucky enough to purchase songs using Plays For Sure, you can at least re-record them for your own personal use.
I guess now that Microsoft is competing against its former partners with their own Media Players it’s time to throw them all under the bus. While Microsoft does use their hardware/software business model effectively in the PC business, burning your hardware partners can’t bode well for future projects. Microsoft PC anyone?
Personally – I’m a big fan of the iPod, and I also welcome a serious challenger to the media player space. I hope the Zune does well, but if this flops, nobody’s going to break Apple’s stranglehold for a long while.
TimeTrax goes belly-up
TimeTrax – the hardware/software combo that let people record XM and Sirius radio – is no longer. If you recall, these are the guys that made XM discontinue the XM PCR because of worries people were recording and splitting songs off of the radio.
It’s not that surprising – the business model was fundamentally flawed – as people weren’t willing to pay $200 for hardware to do this when programs like Replay Music and Replay A/V do a better job for a lot less.
Replay Music 2.5
– Improved recognition engine.
– Fixed m3u playlist feature.
– Better recognition support for LaunchCast and Yahoo Music engine.
– Added a new setting to add leading zeros to track number in the file name for better file sorting.
– Removed Eliminate Similar tracks functionality since it caused too many errors.
– Added capability of users to record offline if they uncheck the Auto tagging setting. (Only for registered users).
– Added “Always tag with Artist name” and “Always tag with Album name” check boxes which correspond to text boxes in the “Start Recording Session” dialog box, so if Replay Music is not able to identify a song, then artist name and album name will already be tagged correctly.
– Changed name of Replay Music log file to ReplayMusicLog.log so users can find the log file more easily.
– Added a specialized Replay Music playlist feature – customers can import a playlist text file in the order of song, artist, and album delimited with a “|” for better song recognition. Each line of the file would correspond to the order of songs played.
Just how sensitive are they?
The RIAA shows an “abundance of sensitivity.”
I agree with the RIAA
Hell has not frozen over.
The RIAA is behind a compulsory licensing system for mobile phone ring tones, which would make it easier for everyone to adopt the technology. The alternative where royalties are negotiated song-by-song is being pushed by the Songwriters Guild among others.
Radio is another place where compulsory licensing is in effect, and this system was a great catalyst to the nascent radio technology.
Article here in Hollywood Reporter.
Now, if only the music labels would come up with a way to purchase unrestricted MP3s at a reasonable cost… then Hell would really have frozen over!
What’s a Nabaztag?
An intelligent electronic bunny? This is one of those products that’s either brilliant or stupid, that I wish I’d have thought of.
Read more about the Nabaztag here.
Be sure to watch the demo.